Papua New Guinea
Phantom war shield
Wahgi Valley, Highlands
Painted by Papuan artist John Wahgi on an ancient shield
Carved wood, pigments and rattan
Height: 65 ¼ in. (166 cm)
Collected by Chris Boylan, Andane village, 2013
Ex private collection, Australia
Published: « The Man Who Cannot Die » – pl. 17, p. 243
Field-photogrpaph of John Wahgi with his Phantom shield in 2013, Andane Village: courtesy Chris Boylan
Warfare has been at the center of Highlands life since immemorial times. The shield has always been considered an extension of the warrior himself.
When warfare was expected, warriors repainted their shields to ensure that the colors shone brilliantly against the sun to dazzle and threaten the opposing side. In the western Pacific, shields bore the name of warriors, and possessed a life force, or spirit, that connected them to their ancestors.
As stated by the Museum of New Zealand Te Papa Tongarewa, from the 1980s – 1990s the Phantom re-emerged on Highlands battle shields during a revival of inter-tribal fighting. In this period, the Wahgi people revived and repainted old battle shields with new designs that transformed the shields into communicative forms. By incorporating the image of the Phantom on a shield, warriors hoped to capture some his symbolic power and incite fear amongst their opponents. The Phantom, an immortal superhero carrying firearms and wearing a skull symbol on his belt was indeed seen as an inspiring and projective figure for Papua New Guinea warriors.