Democratic Republic of the Congo
Carved wood, pigments, fiber
Early 20th century
Hauteur : 11 ½ in. (29 cm)
Ex Sotheby’s London, 30 November 1982, lot 112
Ex private collection, Paris
Ex collection Alain Lecomte, Paris
Yale University Art Gallery – The Yale-van Rijn Archive of African Art #0034088Published: AfriCubism, 2018
According to Ceyssens (in Tervuren, 1995, p. 328), above and beyond their pure geometric lines, Lwalu masks are a beautiful embodiment of the balance between the human and animal realms, their elaborate formal structure playing on a subtle balance between the tension of the concave planes, the starkness of the lines and the fullness of the volumes.
According to Timmermans (1967), who was working from Maesen's field notes, before Lwalu face masks were used for recreational performances, they were originally used for boys' rites of passage within the ngango institutions, and were also involved in hunting rituals to appease the spirits and seek their blessings.
Since they were brought to light in the 1930s, Lwalu masks have been praised for their novel form.