Africa | Gabon
Kota Obamba Figure
Gabon
Mbulu-Ngulu reliquary figure
Carved wood and copper
Early 20th century or earlier
Height: 20 ¾ in. (53 cm)
Provenance:
Ex private collection, acquired in the 1950s
By descent
Ex Christie’s Paris, Arts d’Afrique et d’Océanie, June 11th 2012
Ex collection Daniel Hourdé, Paris
Ex Galerie Ratton, Paris
Ex private collection, Paris acquired from the above in 2017
Publication / Exhibition:
“Gabon”, Galerie Philippe Ratton, June-Sept. 2017 p. 40-41
Kota Obamba Bombe forehead / Galerie Flak
Price on request
Ancestor worship formed the core of the religious and social life of the Kota peoples of Gabon. As stated by Louis Perrois who studied this artwork in 2012, these majestic figures called mbulu-ngulu were attached to reliquary baskets containing magical « medicines » and relics of important ancestors. The applied décor made of copper sheets or strips was meant to add power and prestige to the reliquary figure. Metal was indeed associated with longevity and power.
According to Efraim Andersson’s Kota informers (Contribution à l'ethnographie des Kuta, 1953-1974), figures with concave-convex faces and domed foreheads, such as the present example, are male representations.
Of an impressive style and sculptural presence, this Kota Obamba figure is a masterpiece of classical African Art.
According to Efraim Andersson’s Kota informers (Contribution à l'ethnographie des Kuta, 1953-1974), figures with concave-convex faces and domed foreheads, such as the present example, are male representations.
Of an impressive style and sculptural presence, this Kota Obamba figure is a masterpiece of classical African Art.
Publication
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