Current
Exhibition

Gallery by appointment

Press Review

Tribal Magazine, “Julien Flak ou la quête permanente”, Autumn 2025, Elena Martínez-Jacquet

Upcoming Exhibition

PARIS TRIBAL 2026

Archives

25
BRAFA 2026

Press Review

The Quater(ly), “BRAFA 2026, Une foire en mouvement, entre ouverture et héritage”, 01.12.25

Connaissance des Arts, “La BRAFA persiste et signe”, n°854, 01.01.26

Le Quotidien de l’Art, “Début dynamique à la BRAFA”, Armelle Malvoisin, 26.01.26

Il Giornale dell’Arte, “Bruegel e compagnia: le principali vendite da BRAFA Art Fair 2026”, 01.02.26

Il Sole 24 Ore Plus, “Collezionismo A Bruxelles il cross collecting unisce epoche e culture”, Silvia Anna Barrilà, 31.01.26

Faton, “BRAFA 2026 : les pépites à ne pas manquer dans les allées de cette 71ᵉ édition”, 27.01.26

Le Journal des Arts, “L’Offre équilibrée et élargie de la BRAFA 2026”, Marie Potard, 23.01.26

La Gazette Drouot, “Une 71e édition ambitieuse pour la Brafa”, Stéphanie Pioda, 16.01.26

Celebre Magazine World, “Brafa Art Fair 71st edition: a gold standard Fair, more vibrant than ever”, Karl Brown, 02.26

Excellence Magazine, “71st edition of BRAFA Art Fair”, 06.02.26

Sur Invitation

For this special occasion, we are presenting a
collaborative exhibition with Jules Boquet:

“Aux Racines du Rêve”
The Roots of the Dream
Tribal Art, Cubism and Surrealism
Galerie Flak × Galerie Boquet

Press Kit


Press Review

Quotidien de l’Art, « Sur Invitation », nouveau rendez-vous d’antiquaires à la rentrée, 07.07.25, Armelle Malvoisin

Beaux-Arts Magazine, “Marché et Politique culturelle – De plus en plus exclusif”, Aout 2025, Armelle Malvoisin

Tribal Magazine, “Marché de l’Art – Sur Invitation”, Autumn 2025, Elena Martínez-Jacquet

BSmart, “Sur Invitation” : quand les foires choisissent l’exclusivité”, 20.09.25

Quotidien de l’Art, “Sur Invitation :lancement réussi à la Pagode de CT Loo”, Armelle Malvoisin, 23.09.25

La Gazette Drouot, “Sur Invitation: Salon intimiste et exclusif”, Nicolas Denis, 03.10.25

Parcours des Mondes 2025

On the occasion of the 2025 edition of Parcours des Mondes, Galerie Flak is pleased to return to its historic address at 8 rue des Beaux-Arts, in the heart of Saint-Germain-des-Prés. For this event, the gallery is honored to present an exclusive collaboration with Crosby Studios and its founder Harry Nuriev — a leading figure on today’s design scene.

Celebrated for his radical installations and event-based interventions — from his recent participation at the Louvre during the Louvre Couture exhibition to a collection created for Westwing — Harry Nuriev now brings his resolutely modern visual language into dialogue with our selection of ancient works from Africa, Oceania, and North America presented for the Parcours.

With his singular vision, he has reimagined our gallery space through a contemporary lens: minimalist, sculptural, and innovative. This encounter between ancestral forms and radical modernity invites visitors to rediscover timeless works in a new light, where art and design converge in an unprecedented dialogue.

Vis-à-vis unfolds as a play of reflections, correspondences, and both aesthetic and symbolic tensions. Contemporary design, in all its bold directness, engages here in conversation with the forms and forces of tribal art. Through this singular mise en scène, the exhibition seeks to stand both as a witness to — and an extension of — this fertile confrontation.

Exhibition
“VIS-A-VIS”

Opening reception: September 9th, from 11 a.m. to 9 p.m.
Exhibition: September 9–14, 2025

Press Review

Tribal Magazine, “Julien Flak ou la quête permanente”, Autumn 2025, Elena Martínez-Jacquet

Le Qotidien de l’Art, “Le Parcours des Mondes à la recherche de nouveaux adeptes”, September 2025, Armelle Malvoisin

Il Sole 24 Ore, “Parcours des Mondes: l’arte etnica ponte tra l’Hudson e la Senna”, Antonio Aimi, 21 September 2025

Paris Tribal 2025

Paris Tribal
Roots exhibition
A special collaboration: Galerie Flak × 193 Gallery
Ancient arts meet contemporary creation

This special collaboration with 193 Gallery brings together contemporary art from non-Western scenes (photography, textile, painting) with our ancient sculptures and masks from Africa, Oceania and North America.
An intergenerational, intercultural encounter exploring resonances between past and present.

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