oceania | New Caledonia
Kanak Roof Finial
New Caledonia
Roof Finial
Kanak
New Caledonia
19th century
Carved wood
Height:
Provenance
Collection of the antiquarian Marc Perpitch, Paris
Collection Stephane Mangin, Paris
Collection Olivier Vanuxem, France
Publication & Exhibition
“L’Art ancestral des kanak”, Musée des Beaux-Arts de Chartres, 2009, p. 59
Kanak Roof Finial / Galerie Flak
Price on request
An emblematic element of New Caledonian art, the ridge sponde crowned the conical thatched roof of the Great House, the ceremonial dwelling and political heart of the chiefdom. Its name perfectly sums up its structure: "ridge" because it enthroned the summit of the building, and "spire" for its slender silhouette pointed toward the sky. Far more than a mere architectural ornament, it embodies the spirit of the ancestors and materializes the presence, cohesion, and authority of the clan.
Named pwamabaï or gomoa depending on the linguistic area, this anthropomorphic sculpture is traditionally structured into three sections: a base, which allowed it to be firmly anchored to the top of the Great House's central pillar; a middle section depicting the face of the ancestor with powerful features and a prominent nose, surmounted by a stylized headdress; and a summit spire, originally adorned with large seashells.
Carved from a single block of houp wood (Montrouziera cauliflora)—a precious, rot-resistant species endemic to the high-altitude forests of the Grande Terre—this Kanak sculpture is not a generic representation. It precisely depicts an ancestor from the chief's maternal clan, who served as the guarantor of the community's legitimacy and protection.
One will note here the expressive power of the face, the characteristic modeling of the nose, the complex headdress, and the relief pattern adorning the torso—a necklace or "magic bag"—testifying to both the social and ritual function of this remarkable, ancient example of a ridge spire.
Named pwamabaï or gomoa depending on the linguistic area, this anthropomorphic sculpture is traditionally structured into three sections: a base, which allowed it to be firmly anchored to the top of the Great House's central pillar; a middle section depicting the face of the ancestor with powerful features and a prominent nose, surmounted by a stylized headdress; and a summit spire, originally adorned with large seashells.
Carved from a single block of houp wood (Montrouziera cauliflora)—a precious, rot-resistant species endemic to the high-altitude forests of the Grande Terre—this Kanak sculpture is not a generic representation. It precisely depicts an ancestor from the chief's maternal clan, who served as the guarantor of the community's legitimacy and protection.
One will note here the expressive power of the face, the characteristic modeling of the nose, the complex headdress, and the relief pattern adorning the torso—a necklace or "magic bag"—testifying to both the social and ritual function of this remarkable, ancient example of a ridge spire.
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