Democratic Republic of the Congo
Carved wood and pigments
Early 20th century
Height: 15 ¾ in. (40 cm)
Ex collection Bernard Cosyns, Antwerp
Ex Galerie Gregory Verdonck, Brussels
Ex collection Jo de Buck, Brussels
According to Ceyssens (in Tervuren, 1995, p. 328), the mfondo mask is characterized specifically by the fact that the nasal bridge extends above the face and blends into the crest of the coiffure, as is the case here.
Above and beyond their pure geometric lines, mfondo masks are a beautiful embodiment of the balance between the human and animal realms, their elaborate formal structure playing on a subtle balance between the tension of the concave planes, the starkness of the lines and the fullness of the volumes.
According to Timmermans (1967), who was working from Maesen's field notes, before Lwalu face masks were used for recreational performances, they were originally used for boys' rites of passage within the ngango institutions, and were also involved in hunting rituals to appease the spirits and seek their blessings. Since they were brought to light in the 1930s, Lwalwa masks have been praised for their novel form.
This Lwalu mask is remarkable for the fineness of the features, fine age and superb patina.